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allowing the sounds to breathe against a backdrop of near-silent atmosphere
It’s an utterly timeless and transfixing salvo
The 1999 realisation recorded in New York with Jon Gibson on soprano shows how much room for the instrumentalist to affect the course of the music exists in Behrman’s interactive pieces
as Jim O'Rourke's drummer of choice -- uses synths and tapes
Shackleton – Deliverance Series No. 2 [USED 12"] Minimal / Wave / Synthpop allowing the sounds to breathetribalist boogie woogie magick from the uk dubstep don. dub tangled rhythm hypnotics enmeshed with mystic chant. Woe to the Septic Heart!, 2014
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